LATEFIELD is five reverbs that never sit still. A hall, two plates, a chamber and a concert hall, each generating its tail live as you play, with slow, unpredictable motion running through it. What you get is a wash that keeps evolving and never repeats. Pick a room, shape how it arrives and how long it lasts, and add grit only when you want it.

Hear it first

Five rooms

It comes from years of listening to the reverbs on great records and working out what made them work. Then it kept going.

Random Hall. Dense, evolving and wide. Pads, orchestral beds, ambient washes, lush vocals.

Plate. Bright, dense and immediate. A snare, a vocal, anything that needs to cut.

Vintage Plate. The Plate with hotter motion and no early reflections, just tail. Retro vocals, string sweetening, dreamy plates.

Chamber. Intimate and natural, full from the first moment, with AIR ABSORPTION to darken the top as it decays. Vocal ambience, acoustic instruments, dialogue.

Concert Hall. Spacious and chorused, with its own CHORUS RATE and CHORUS DEPTH. Scoring, cinematic space, wide stereo.

Alive, not static

Every room has slow, random motion running through its tail. WANDER sets how far it drifts and SPIN sets how fast it turns, with chaotic modulation underneath that never repeats. The tail moves the way air in a real room does, so a held chord keeps changing as it rings out.

Shape it like a room

EARLY / LATE moves between the first reflections and the tail with one knob, and the level holds while the character changes. DECAY sets the length. BASS DECAY lets the low end ring longer or shorter than the rest, and BASS CROSSOVER sets where the low end starts. PRE-DELAY, SIZE and WIDTH place it. LOW CUT and HIGH CUT filter the reverb only.

The reverb stays behind you

CLARITY ducks the reverb under your dry signal in four bands, keyed from the dry, so a big hall stays out of the vocal's way without wiring a sidechain.

Grit when you want it

LATEFIELD is clean until you ask. DEREZ runs the reverb at a lower rate, down to a tenth, from a gentle darkening to crunchy, sparse, early-digital texture. SHIMMER adds a pitched layer to the reverb, up to an octave either way. FREEZE holds the tail so you can play over it.

Built for exploring

Switch rooms as often as you like. The old tail fades out instead of cutting off, and each room keeps its own settings. Every room is level-matched, and so are all 182 factory presets, so when you compare them you're hearing the space, not the volume.

Download first, buy when you're sure

DOWNLOAD gets you the full plugin: every room, every control. Until you buy, it goes quiet for 10 seconds every minute, and there's no time limit, so keep it in your sessions as long as you like. When you're ready, BUY is $19.99. Enter your key and the silences stop. There's nothing to reinstall.